Madison Farkas

Two white women face each other - the one on the left looks down at her white Victorian undergarments while the one on the right, who is fully clothed, helps her undress while smiling secretively.

Fingersmith: Dickens, but with lesbians and good pacing

I came to Sarah Waters’ 2002 historical crime thriller Fingersmith having already seen Park Chan-wook’s South Korean film adaptation The Handmaiden, which is (loosely) based on the book. While the movie was excellent, I do have to wonder if seeing it first did me something of a disservice. To truly be enjoyed, Fingersmith’s twisting, intricate…

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