OUR Space: LGBTQ2 Victoria Music, Movement & Dance Network
This Meetup is open to any LGBT2Q-self-identified souls in Victoria, who love to mix music with movement — and come with a positive and loving heart.
OUR Space: LGBT2Q-Victoria Music, …
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2 years ago
Passion and Performance presents “The Jungle Room”
The Jungle Room, this year’s endeavor of Passion and Performance’s Production Class, hits stages this weekend in Victoria and Duncan, and next month in Kelowna. This piece, with show assembly, …
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Tuning Into Yourself/vocal workshop
Sunday, March 15, 2020. James Bay United Church (lower hall at rear of building) 511 Michigan Street, Victoria.
A three hour vocal workshop …
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2 years ago
Preview: Broken Rhythms presents “ThySelf”
I recently had the opportunity to attend the preview showing of ThySelf, the latest piece by Victoria-based indie dance company Broken Rhythms. In this new work, the company’s artistic director …
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2 years ago
Fingersmith: Dickens, but with lesbians and good pacing
I came to Sarah Waters’ 2002 historical crime thriller Fingersmith having already seen Park Chan-wook’s South Korean film adaptation The Handmaiden, which is (loosely) based on the book. While the …
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3 years ago
Review: Company C’s “Cabaret”
Company C, the third-year student group at the Canadian College of Performing Arts, presents Cabaret, a sensuous tale of art and love in Germany’s interwar period.
Cabaret is the story …
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3 years ago
A World Not Made for Me: Review of “Gender Failure”
At 5:00pm I began to read a book.
Not because I was personally compelled, but because it was an assignment for a class I was taking; an elective class no …
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3 years ago
Review: Langham Court Theatre’s “Les Belles-Soeurs”
Langham Court Theatre recently presented a three-week run of Michel Tremblay’s 1965 play Les Belles-Soeurs. In this production, under the clear and bold direction of Judy Treloar, fourteen local actresses …
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Review: Arleen Paré’s “The Girls with Stone Faces”
It is a challenging feat to find the words to describe poetry as inspired as Arleen Paré’s. Her work defies description; it wants to be read, not explained. Paré holds the English language in her hand and wraps it around her reader with a profound kindness. Reading her work feels like coming home.
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